The photographer and I ride up in a large and noisy elevator. Our chaperone points to the photographer’s camera. “You should use a Polaroid camera in this building,” she says. “This is still an old-fashioned digital one,” I reply. She smiles and repeats my words softly and slowly. “An ‘old-fashioned’ digital camera. That’s funny.”
On assignment for The Magazine, I visited the plant with a photographer in February 2013 to see how the Impossible Project had become entirely possible.
Photo by Laura Muns.